Jason breaks down 5 historical people he thinks he can snuff out no problem. FUN!

Jason Loves History

Here is a set that has a viral moment in it

Ehsan Ahmad, Set Containing Viral Video

The Definitive Rankings of Everything - Top 10 Heroes with special guest Keith Johnson

The Definitive Rankings of Everything - Top 10 Heroes

 Absurdjunk is proud to release the third episode of this documentary series with the support of the National OSBO Coalition. Join us for this intimate series of interviews conducted within a community whose founding principle is the unyielding belief that they have a friend who is “Only Seen By One.”  Absurdjunk WILL NOT tolerate any hateful language towards members of the OSBO community. Any comments using the words, “imaginary friends,” "make-believe" or “invisible" will be removed. Alex told Paul's own stories of discrimination and unfortunately, 3 of 4 OSBO's will face discrimination on a daily basis. It is time to recognize the rights of our fellow OSBO brothers and sisters. This is the work of the National OSBO Coalition. 


OSBO's: A Documentary Series // Interview 003 Alex & Paul

A strict security guard that watch over a big piece of land face himself due of the change of his routine, he has a problem with the perimeters watching. Nothing remains the same and the security guard is no longer certain about what is the place he has to be in. (Language: Spanish with English subtitles) 

23 Square Meters (23m2)

Following a mans growing obsession with a local murderer and until begins to consume him.

Please Rate on IMDB!

IN/SIDE (Short Film) 

Two hikers come across a man who who gains their trust for his own intentions.

Please rate on IMDB

Out for Dinner (Short Film) 

Alex's identity as a tomboy is challenged from within and by her peers. Her body is changing and it gives rise to an increasing insistence on the tomboy identity. When Alex is deprived control of her body, she is confronted with himself as a girl. The armor that has protected her fragile inner life has been ripped away.


RODLØS (WAYWARD)

Nina is caught between two realities, one defined by the oppressive care of her partner, the other, a way out offered by a mysterious young woman. A haunting story of one woman’s attempt to gain freedom and live as her true self no matter what the cost. Alone is a subtle psychological thriller that considers the struggle for identity as a battle between the way in which others see us and the terms by which we choose to define ourselves.

ALONE

A proof of concept for a more extensive feature length.  Madison goes through psychological hell in order to come to a cathartic revelation of what type of person she is.

Cast:
Madison - Ada Curry
Nicole - Emilia Valencia 

Crew:
Directed By: Parker Clements and Ian Bailey
Edited By: Parker Clements
Arial Work By: Parker Clements
Cinematography By: Parker Clements


Down Under

A short mystery about four teenage girls and the secret issues that plague them. This is an intense film about the volatility and isolation of youth.


When a mysterious light invades socially awkward Lila, she encounters its source: a
cyborg who comes to remind her who she was in a past life.


ATRAPALUZ (SUNCATCHER)

Your wedding is meant to be the best day of your life for, but what if you come out as gay soon as you’ve tied the knot to your boyfriend? Eve already felt like an outsider with her husband’s family, as a mixed heritage female from a modest background. Now her complete alienation is set as she finally accepts her attraction to women and choices must be made.

When a new troupe leader joins the "Bnai Akiva" boy scouts movement, Yotam’s world trembles. He is forced to cope with his sexual orientation and the difficulties he faces with family and religion, and is torn between his love of religion that forbids homosexuality and his mother who tries to “cure” him.
[LANGUAGE: Hebrew  | SUBTITLES: English]

BARELY IN LOVE

After years away, Marcela decides to return to her mother's house to tell her something new: she is going to marry her girlfriend, Bianca. Arriving there, she is surprised by other family members and memories she had been ignoring for years. The day is intense, permeated by Bianca's discoveries about her fiance's past and unexpected conversations, but which, in the end, only strengthen Marcela's relationship with Bianca, with her mother and with herself. [LANGUAGE: Portuguese | SUBTITLES: English]

BEM-VINDA DE VOLTA (WELCOME BACK)

During an aquarium schooltrip, two teenagers that go to the same school but come from different worlds discover that what brings them together is more powerful than what keeps them apart.


ENOMENA

After a hostile breakup, a classy lady loses custody of her dog. Desperate to see her pup, without her toxic ex knowing, she disguises herself as a dog walker (and a man) with the help of her best friend, a prestigious drag king. But being masculine and unrecognizable is harder than she expected.


MR. DOGWALKER

A Matter of Prejudice takes a modern twist on an 1893 short story by Kate Chopin and explores the beauty of love and acceptance when an aging woman finally overcomes her prejudice. Our hero is a French-speaking African immigrant named Madame Carambeau, aka Madame C. Because of her religious beliefs and fears, she hasn't spoken to her gay son in seven years even though it pains her. Her mindset begins to change after a chance encounter with a sick little girl during her grandson’s seventh birthday party. Relevant in today’s society and sensitive to the struggles of the LGBTQ community, this story shows what can happen when we simply open our hearts.

A MATTER OF PREJUDICE

BOB has trouble speaking up for himself, particularly when it comes to his overbearing wife DIANE. On their anniversary dinner at their favourite restaurant, things take a turn for the worse when Diane accidentally locks herself in the bathroom. While she struggles to escape, Bob is mistaken for the blind-date of a chatty drag queen SIMONE and amid the confusion, a fleeting connection is made. It's a quest for freedom and a tale of mistaken identity, as Diane battles to escape the toilet and Bob finds his voice. And it may just change him forever.

BLUE SHIRT GREEN TIE

A family comedy-drama that turns warm and heated, Be Gay Tomorrow follows a mother as she tries to conceal her teenage son’s sexuality from her passive-aggressive parents during Thanksgiving dinner.

BE GAY TOMORROW

Mari Yoshimori holds the U.S. record for the fastest 400 meter time in track and field. Shortly before Olympic trials, she learns that she has a potentially career-threatening torn hamstring. This news crushes her soul. Not listening to her doctor or mother’s advice, Mari keeps training, and pushes herself too far. So far that the powers of nature thrust her into the depths of a psychological purgatory. While there, she meets her spiritual sidekick, Bettari. Petite, cute and mysterious, she communicates through a handwritten sign as she playfully lures Mari deeper into her domain. Only Mari can decide whether Bettari intends to guide or destroy.

SEPPUKU

“When a repressed 1950s housewife is left alone by her philandering husband, she makes a horrifying discovery about the noises in the house that are coming from the walls.”

SCRATCH

Stuck in Saturday detention, two disparate teenagers discover the body of a murdered teacher. With a masked killer roaming the halls, and no sign of escape, the two must learn to overcome their differences, and their own internal struggles, to survive.

WELCOME TO DETENTION

Benji tells us the story of the beginning and the tragic ending of his friendship with Nino. The contrast between what is narrated and what is seen questions the memories of important events in our lives. Benji’s first sexual experience brings out his latent sadistic nature to which he never admits he has. He justifies the murder of his best and only friend through the lessons his mother taught him.

AS LIÇÕES DE MINHA MÃE (THE LESSONS MY MOTHER TAUGHT ME)

Mina and Mariana are two transgender prostitutes working in the Bois de Boulogne. They share an old truck and work part-time, one in the morning, the other at night. Their stories deliberately captured in their workplace to the rhythm of traffic and engine noises, gradually immerse us in their world much larger and more complex than the apparent lightness they proudly display.

ALLÉE REINE MARGUERITE

"The Cartel" is a documentary film about corruption in public education. The film shows how money thrown at the problem, while often presumed to be what's needed, instead tends to grow district bureaucracies and patronage jobs as opposed to fostering meaningful educational improvements for kids. In short, much of the money never reaches the classroom. 

Great teachers are rarely rewarded; bad teachers are rarely fired, and alternatives to the one-size-fits-all monopoly model are treated as threats to existing cash flows, even when offer a lifeline to kids. 

"The Cartel" won 12-film festival awards, an 11-city theatrical release, and distribution by Warner Brothers and Netflix. 

The Cartel

He has tattoos. He writes poems. He paints. He has done a few dirty jobs. When he was in prison for the second time, he received a literary award. With a poor sense of direction, he jokes that he needs to "design an escape route" everytime he goes back to his hometown. Carrying 37 keys, he seems to have no idea where life is leading him to. He is always looking for work, friends and love, but gets lost again and again.

A ROLLING STONE

A short video-documentation of the process behind the "NoCore: Untold" workshop held in Helsinki in 2019. The workshop was part of the NoCore Project: a community dance project that deals with gender expressions and multiculturalism. The performers on this film, who joined the workshop, have shared their stories related to the personal experiences of marginalization and acceptance.The workshop has focused on the dialogue between movements and cameras, giving the possibility to the participants to translate their own story in video-art: interviews to every participant have been the starting points for developing artistic multimedia scenes. The documentary opens up the process as well as the personal thoughts and experiences of the performers.



UNTOLD PROCESS

<h2>Fairness</h2>
<p>If artistic painters can decide prices for their work, why shouldn't filmmakers and video content creators?</p>
<p>VidaFair is a new pay-per-stream video monetization platform based on fair pricing and transactions between creators and consumers. VidaFair allows video creators to set their own fee for 24-hour video stream rentals of their content. Video viewers pay the content creator fee and a small fee to VidaFair, without being asked to subscribe to anything, ever. Creators and viewers get the safety and security of the PayPal payment processing.</p>

<h2>We do believe content creators should set their own prices</h2>
<p>Just like painters, photographers, interior decorators and a whole host of other creative professionals who set prices for their work, we believe film and video producers should have the freedom to dream, create and then charge what they see fit. Content creators know best the costs, time spent and market demand for their work. 

<h2>We do respect and compensate creators</h2>
<p>VidaFair represents a significant paradigm shift from other platforms, where content creators can only ever receive a tiny fraction of the proceeds for their work, or are charged platform fees based on a percentage of rental price. We've been content creators ourselves. 

<h2 style="text-align:left;">We do respect and protect video consumers</h2>
<p>Your viewing habits are no one else's business but yours. We accept no corporate sponsorships, no data sharing arrangements and no advertising. Our revenue model is simple and clear -- reasonable fees to host and stream video which are a function of file size, not the creators' prices. Nothing else under the radar, over the radar or otherwise. Sometimes a service that's marketed as "free," isn't as free as people think.</p>

<h2>We don't own anyone’s content</h2>
<p>Some very well known video streaming platforms bury tricky copyright transfer language in long, complex "Terms of Service" agreements. At VidaFair, by contrast, all content remains the property of the content creators. We will never assert ownership of any film or video, ever.</p>

<h2>We don't waste your time</h2>
<p>Do you really want to watch advertisements? Or have them interrupt your film or video? We don't. Nor do we think your time is "free." Other platforms surprise viewers with advertisements they neither want, nor expect. On VidaFair, we don't sell your time to outside groups or companies through ads.
<h2>We don't run other businesses</h2>
<p>We don't run search engines, email services or marketing campaigns. We don't send ads to creators or viewers, or sell information to anyone about viewers' preferences. 
<p>And it goes beyond just a matter of personal privacy. In a broader way, we believe more content platforms will always be healthier than fewer, because a social media landscape of very few extremely powerful behemoths poses societal risks.</p>


<h2>We don't offer, nor allow subscriptions</h2>
<p>We believe subscriptions can sometimes be a slick way customers get charged for services they don't use. At VidaFair, every streaming video rental is specifically authorized. Since there are no subscriptions on VidaFair, there’s never such a thing as “forgetting to unsubscribe.”</p>
<p>No VidaFair transaction ever automatically repeats. You decide every purhcase on the VidaFair platform. That's how we want to be treated when we use an internet site. 

<h2 style="text-align:center;">&nbsp;<strong>No Subscription Content Monetization: </strong></h2>
<h2 style="text-align:center;"><strong>Content Creators and Content Viewers Living in</strong><strong>      Fairness</strong></h2>

<h2 style="text-align:center;">&nbsp;<strong>The VidaFair Revolution</strong></h2>
<p style="text-align:center;">    360 Nueces Street, Unit #1114, Austin, TX 78701</p>


About VidaFair

<h2>Can I really set the streaming price for rentals of my original videos?</h2>
<p>Yes. Isn’t it great? The cost to upload a video is only 1,800 grains, (or US $20.00 when bought on a browser). That's all it takes to start earning grains every time a viewer rents your content. Grain balances above 2,000 can be converted to revenue through PayPal.</p>
<h2>How do I get paid for views?</h2>
<p>Once you have a balance of 2,000 grains or more, you can use the Cash Out feature in the VidaFair drop down menu. After supplying a PayPal-registered email address, you can request 2,000 grains or more to be converted to dollars. Cash Out requests are closed each week at Saturday at 12:00amET (NYC time), take about a week for processing, and are subject to a 6% financial transaction fee imposed by PayPal.&nbsp;</p>

<h2>How much can I make?</h2>
<p>Use our Earnings Calculator to see for yourself! It's under the "About" menu item on the homepage. Enter a video file size, your 24-hour rental price, and the number of views you might expect in 12-months. (Minimum allowable rental prices are a product of file size.)</p>
<h2>How should I set those prices?</h2>
<p>That’s up to you — creators are free to set their own fees per rental, between 0 and 2,000 grains (equivalent to $0-$20.00, after meeting the Cash Out minimum). The total streaming price for viewers is the sum of the creator fee and VidaFair's streaming fee, which is based on file size. The importance of file size is why we suggest a video resolution of 720p for most types of content, as the majority of videos are seen on smartphones or laptops. But 480p and 1080p resolutions are also available at the content creator's prerogative. Podcasts and talking head livestreams, for example, may not prioritize the visuals, whereas certain types of films may justify higher resolution.&nbsp;</p>
<p>In general, we advise creators to set modest fees After all, most people aren’t yet accustomed to pay-per-stream content. We believe fairness in pricing will foster loyalty among viewers over time, and often lower-than-expected pricing actually maximizes revenue.&nbsp;</p>

<h2>Why doesn't VidaFair charge a percentage?</h2>
<p>Since VidaFair's variable costs are based on streaming and storage services, which are tied to file size, we believe it's fairest to base our fee on that. A streaming platform shouldn't demand more money for their service simply because a content creator priced it higher. A platform's streaming fee should be based on its costs.&nbsp;&nbsp;</p>

<h2>Will my fans need to subscribe to your service?</h2>
<p>No. VidaFair neither requires, nor even offers subscriptions. VidaFair units of value are called grains, and they're approximately equal to U.S. pennies, or cents. Every VidaFair grain purchase is a one-time transaction, and each new purchase has to be authorized separately by users.

<p>We believe subscriptions have a place, but they aren't the best fit for every style of video content, especially independent producers. It's important for your potential viewers to know that this platform will never ask them to subscribe.&nbsp;</p>

<h2>To Cash Out 2,000 grains to $US20, must all the grains be generated by a single video?</h2>
<p>No. All you need is to have a minimum of 2,000 grains (sometimes expressed as "g2,000," and a PayPal ID.&nbsp;</p>

<h2>How do I ask fans to pay for content that's already free on other platforms?</h2>
<p>You probably shouldn't (although nothing would stop you). We recommend that creators continue producing content for existing platforms as they have before, and use VidaFair for different, special content unavailable elswhere, or possibly even older, archived content. In this regard, it would be quite similar to how some creators promote separate content for a Patreon subscriber platform. The difference, of course, is that renting videos on VidaFair requires no subscriptions, and can cost only pennies to view via the micropayment architecture.</p>

<h2>Should I market the videos I upload to VidaFair?</h2>
<p>Yes. VidaFair is a new content monetization platform. While people generally browsing VidaFair content will be able to see your work, you should also tell your followers that it's available on VidaFair, for the low, low price of... an amount mostly determined by you.</p>
<p>Promoting unique VidaFair content to subscribers via social media would be akin to promoting subscription-only Patron content -- which is quite common.&nbsp;</p>

<h2>How will I persuade followers to enter a credit card when they're used to watching videos for free?&nbsp;</h2>
<p>You might let them know:</p>
<p>• They will not be subscribing -- each VidaFair grain purchase is a one-time, a la carte transaction. Who needs another subscription?• They will not be subjected to advertising.• The entry level price of US$1.99 is a one-time charge that does not repeat. This means if they buy $1.99 of grains once, no other charge will ever appear. In an online media space increasingly dominated by subscriptions, this is the key difference and the strategic advantage of the VidaFair model. • The micropayment video rental prices you set will be fair, probably just in the pennies per view.• They can depend on the security of PayPal payment processing (via web browser access). • No one will ever sell their content choices to marketers. They should know VidaFair is not involved in other businesses like search engines, email services or ad campaigns.</p>

<h2>After uploading a video, does it remain on the platform forever?</h2>
<p>Videos uploaded to VidaFair remain available for rental for a period of one year, although videos actively receiving rentals will get extended at no charge. By uploading to VidaFair, content creators agree that they will retain other copies of the videos, and VidaFair will not be responsible storing the only copy of a video.</p>

<h2>Will VidaFair own the content I upload?&nbsp;</h2>
<p>No. Unlike some other video streaming platforms, VidaFair will never claim any form of ownership over any of the video content uploaded to our platform. Uploading to VidaFair has no effect on copyrights.</p>

<h2>Do you really care about copyrights?</h2>
<p>It’s a violation of VidaFair Terms and Conditions for anyone to upload video content for which they do not have ownership or authority to monetize. We take copyright strikes seriously and reserve the right to immediately and permanently ban users who are deemed to have violated our copyright policy. We will also remove such videos without refund.&nbsp;</p>
<p>The Fair Use provisions of modern U.S. copyright law allow for use of short segments of other people's work for purposes of critique or satire. VidaFair takes a stricter interpretation of Fair Use than many other sites. We do not allow continuous clips of over 60 seconds of another person's work for any reason, and we do not allow videos where over 50% of the entire content came from someone besides the VidaFair uploader. We are not limited to these provisions when enforcing copyrights, but they are our starting point. Videos may also be removed for unlicensed use of music or photographs.&nbsp;</p>

<h2>How about Videos with doxing, threats or porn?</h2>
<p>We do not allow videos with personal information about another individual (doxing), child abuse, threats of violence or pornography. While we understand the definitions of these things can sometimes be subjective, VidaFair reserves the right to remove a video from the platform for any reason, without providing a refund or explanation to the content creator. By uploading videos, content creators understand these decisions will be made unilaterally by VidaFair. VidaFair also reserves the right to permanently cancel accounts for these reasons, purely at VidaFair's discretion.&nbsp;&nbsp;&nbsp;</p>

<h2>Can I use the VidaFair mobile app to upload video?</h2>
<p>No. While videos can be rented and viewed via the same account on either a web browser or mobile app, videos can only be uploaded through a computer's internet browser.&nbsp;</p>

<h2>Will VidaFair change the world?</h2>
<p>We hope so. Just like how other artists have the freedom to set prices for their own creative work, we believe video content creators should have the same latitude. Doesn’t that seem fair? We think so. Join us and monetize your work today.&nbsp;</p>





About Monetizing Videos

<h2>Why Should I Pay for Videos? Shouldn’t Videos Be Free?</h2>
<p>VidaFair is based on a micropayment model that allows content creators fair compensation for their work. Unlike other platforms, VidaFair lets content creators set the streaming prices for their videos, and uses no advertising. VidaFair's costs include data storage, data streaming, software development and financial transaction fees.</p>
<p>We’re based on a simple premise: There is a price point for many online videos that will satisfy both viewers and creators as fair trade, and it's usually quite low.&nbsp;</p>

<h2>Is a grain approximately equal to one U.S. cent?</h2>
<p>If viewers buy their grains on the web and in the largest quantities ($20), yes.</p>
<p>For American users, that math becomes pretty simple:</p>
<ul>
<li>A video rental that costs 15 grains to stream equates to US $0.15 or 15 U.S. cents.</li>
<li>A video rental that costs 120 grains, or g120, equates to US $1.20.&nbsp;</li>
</ul>

<p>Note: If users buy their grains through mobile apps, there may be additional fees which we pass along. Also, grains bought in smaller quantities cost more due to financial transaction costs.&nbsp;</p>

<h2>Can I get a refund if the video isn’t what I expected? Or if my internet connection goes down?</h2>
<p>We don’t pre-screen videos, nor can we control the quality of users’ internet connections. For that reason, VidaFair video rental decisions are non-refundable. It would make no economic sense for VidaFair to incur administrative costs for researching individual refund requests, many of which would be for pennies.</p>
<p>We’ve all been disappointed by movies or live shows we paid to see. VidaFair viewers assume the risk that a video they rent may not be what they expected it would be — or that their own internet connection or hardware device may deliver sub-standard performance.&nbsp;</p>

<h2>Can videos rented on the VidaFair website be viewed on the VidaFair mobile app?</h2>
<p>Yes, the same VidaFair account can be accessed via web, Android app or iPhone app.&nbsp;</p>

<h2>Can I share a VidaFair link with great content on social media?</h2>
<p>Great minds think alike! The content creators will appreciate it -- and so will we!&nbsp;</p>

<h2>Can organizations pay to reach you, the VidaFair user base?</h2>
<p>No. Unlike some other video streaming sites, VidaFair will never sell data about our users to marketing companies, nor sell access to our users’ streams. We don’t run email services, nor search engines. We don’t bombard you with ads. We do exactly one thing: Allow content creators a platform for video rentals at a reasonable price. Transparency and simplicity equals fairness.&nbsp;</p>

<h2>After renting a video on VidaFair, can it be viewed endlessly?</h2>
<p>No. In an effort to keep costs down, we believe 10 views within a 24-hour time period ought to be enough. We realize that life has interruptions and internet connections can be disrupted. Still, keeping our minimum rental prices low requires a compromise between flexibility for viewers and potential costs. We believe a 10-view, 24-hour limit on video rentals is fair. Now you know. But remember, users are also free to rent a video again for additional views.&nbsp;</p>

<h2>Does VidaFair pre-screen uploaded content?</h2>
<p>No. Content creators and video renters should understand that VidaFair has no ability to pre-screen content in any way, as and such, all users agree to hold VidaFair harmless for any action related to the business of streaming, storing, renting and monetizing videos. By creating a VidaFair account, users waive the right to pursue lawsuits naming VidaFair because we either streamed, failed to stream or deleted a video.&nbsp;</p>

<h2>Does VidaFair allow any kind of video content?</h2>
<p>No. We don’t allow pornography, child abuse, threats of violence, personal information publication (doxing), or copyright violations. Any viewers are welcome to Flag a video if they believe it violates any of these prohibited categories.</p>
<p>We understand that some of these judgements can be subjective, and well-intentioned people might disagree whether a certain video meets any of these criteria. But please help us keep VidaFair content healthy by flagging any video you believe violates these rules.&nbsp;</p>

<h2>Can VidaFair Viewers Help the World?</h2>
<p>As viewers, even your small payments for watching content on VidaFair can help evolve the economics of content creation, such that those with talent and vision can be the primary beneficiaries of their efforts, rather than multinational conglomerates. Shouldn't it be that way? Shouldn't creators be allowed to monetize their work to whatever degree that work deserves? We think so too.</p>




About Viewing Videos

<h2>Overview</h2>

<p>We take your privacy seriously and are committed to protecting your right to privacy as a user of our website. We have made every effort to ensure your information is secure. This privacy policy information covers what information is collected, what we do with it, and what you can do about it. You can use this information to make your decisions about your privacy.</p>

<h2>User ID and Password</h2>

<p>By entering into this Agreement, You acknowledge and agree that Your user ID and password ("Participant Account") is for Your exclusive use only.&nbsp;<span style="box-sizing: border-box; font-weight: bold;">Use or sharing of Your Participant Account with another user is not permitted and is cause for immediate blocking of Your access to the Website, the Services and the Content, the Lecture videos, and termination of this Agreement.</h2>

<p>You agree that You are solely responsible for maintaining the confidentiality of Your Participant Account and for all activities that occur under it.</p>

<p>You agree to immediately notify our Customer Support Team at contact@vidafair.com if You become aware of or have reason to believe that there is any unauthorized use of Your Participant Account. You also agree to take all reasonable steps to stop such unauthorized use and to cooperate with Us in any investigation of such unauthorized uses. We shall not under any circumstances be held liable for any claims related to the use or misuse of Your Participant Account due to the activities of any third party outside of our control or due to Your failure to maintain the confidentiality and security of Your Participant Account.</p>

<h2>Content and Lecture Videos</h2>

<p>As a part of our Services offered through our Website, We shall grant you access to our content, Lecture Videos, and other information, documents, and data which may be in audio, video, written, graphic, recorded, photographic, or any machine-readable format in relation to the specific certification training course You have registered for ("Content and Lecture Videos").</p>

<p>We reserve the right to amend, revise or update the Content and Lecture videos offered to You. In the event such an amendment, revision or updation occurs, You can access these, without any additional cost during the validity of the subscription.</p>

<h2>Usage of the Website and Services</h2>

<p>We grant you a personal, restricted, non-transferable, non-exclusive, and revocable license to use the Website, the Services, and the Content and Lecture videos offered through the Website till the predefined time of the completion of the course that You have enrolled for or the termination of this Agreement according to the Terms and Conditions set forth herein, whichever is earlier. The Services and the Content and Lecture videos are provided solely for Your personal and non-commercial use to assist you in improving your knowledge or to make face the intended competitive exam or to keep you ahead of the rest. Under any circumstances, You cannot use it for commercial purposes.</p>

<p>You are not permitted to reproduce, transmit, distribute, sub-license, broadcast, disseminate, or prepare derivative works of the Content and Lecture videos, or any part thereof, in any manner or through any communication channels or means, for any purpose other than the Restricted Purpose, without Our prior written consent.</p>

<h2>Intellectual Property Rights</h2>

<p>While You are granted a limited and non-exclusive right to use the Website, the Services, and the Content and Lecture Videos for the Restricted Purpose as set forth in this Agreement, You acknowledge and agree that We are the sole and exclusive owner of the Website, the Services and the Content and Lecture videos and as such are vested with all Intellectual Property Rights and other proprietary rights in the Website, the Services, and the Content and Lecture videos.</p>

<p>You acknowledge and agree that this Agreement other than permitting You to use the Website, the Services, and the Content and Lecture videos for the Restricted Purpose does not convey to You in any manner or form any right, title or interest of a proprietary, or any other nature in the Website, the Services, and the Content and Lecture videos.</p>

<h2>Usage of Personal Information of Participants</h2>

<p>We reserve the right to feature Your picture in any photos, videos, or other promotional material used by Us. Further, We may use Your personal information to inform You about upcoming lecture videos offered by Us. However, We shall not distribute or share Your personal information with any third party marketing database or disclose Your personal information to any third party except on a case-to-case basis after proper verification of such third party or if required under any applicable law.</p>

<h2>Limitation of Liability</h2>

<p>You expressly agree that use of the Website, the Services, and the Content and Lecture videos are at Your sole risk. The disclaimer of liability contained in this clause applies to any and all damages or injury caused by any failure of performance, error, omission, interruption, deletion, defect, delay in operation or transmission, computer virus, communication line failure, theft or destruction or unauthorized access to, alteration of, or use of records or any other material, whether for breach of contract, negligence, or under any other cause of action.</p>

<p>You hereby specifically acknowledge that We are not liable for any defamatory, offensive, wrongful, or other users of the Website, the Services or the Content and Lecture videos and that the risk of damage or injury from the foregoing rests entirely with each user.</p>

<h2>Term and Termination</h2>

<p>This Agreement will become effective upon Your acceptance of the terms of this Agreement by Your clicking on the "I ACCEPT" button and, subject to the terms and conditions of this Agreement, will remain in effect till You maintain a current, fully paid up online Participant Account, or until terminated by Us, whichever is earlier.</p>

<p>We reserve the right to terminate this Agreement and block Your access to the Content and Lecture videos with immediate effect by sending a written notice through email to You to this effect ("Immediate Termination Date"), if such termination is made as a result of Your misrepresentation, default, misconduct, or breach of Your obligations related to or under this Agreement ("Event of Default"). On the occurrence of any Event of Default, We shall be authorized to exercise all the rights and remedies under this Agreement or applicable Law or available in equity to seek indemnification for any Loss or Claim resulting from any such Event of Default.</p>

<h2>Indemnity</h2>

<p>You agree to indemnify and hold Us, Our contractors, licensors, directors, officers, employees, and agents, harmless from and against any and all claims, losses, damages, liabilities, and expenses including attorneys' fees, arising out of Your unauthorized use of the Website, the Services, and the Content and Lecture videos or any violation or breach of this Agreement or any provisions hereof.</p>

<h2>Waiver</h2>

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<h2>Amendment and Assignment</h2>

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<h2>Entire Agreement</h2>

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Privacy Policy

<h2>Account</h2>
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<h2>Modification of the Terms</h2>
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<p>That the Company shall be entitled to make policy declarations from time to time pertaining to matters and may alter the same from time to time at its sole discretion. &nbsp;All such policy decisions of the Company shall be binding on user and shall override this Agreement to that extent.&nbsp;</p>

<h2>Proprietary Materials &amp; Licences</h2>
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<h2>Termination</h2>
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<p>Termination by You:</p>
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Terms and Conditions

1 MES Y 2 DIAS

10:10

1999

20MALEGAYNYC

3 MANERAS DE ESTAR DE A DOS

45 WEEKS LATER

A BELA É POC

A BRIEF HISTORY OF THE UNICORN

a different time

A Forced Passage (Short Documentary) 

A MAIS FORTE

A Manchester Story (Documentary) 

A Poeira Dos Pequenos Segredos (The Dust of the Little Secrets)

A SOMBRA INTERIOR

A Special Guest

A STOP AT ALDEN'S

A Very Important Film

ACESSO

AD VIENTU

Adiós Para Siempre, Preciosidad (Farewell, My Precious)

Aegean Marine Life Sanctuary

AFECTO

AFTER NOON

After the Party

AGACHEM, SEGUREM, FORMEM, ARRASEM

AHORITA

ALÉN

ALL THE WAY

AMORES SOBRIOS

anagram

ANDRO & JINI

ANG HAPON NI NANDING

ANGELOS AT CHRISTMAS

Anna

ANTHOLOGIE D'UNE SCÈNE DE BOUDOIR

Antman and the Wasp Quantumania was absolute DOG S***!

APARTMENT 5½

APOLLYON

Apollyon

Ardentia

ARRIBA

ARRIVEDERCI ROSA (GOODBYE ROSA)

Artificiall

Astro Son

ASTRONAUTS

ATACAMA

AYGOL

BAMBOLINA

BATERIA

Bathtub by the Sea

BEAN

Bear with Me (Short Film)

Beyond Repair

Big Buck Bunny

BILLI

Brasil, Cuba

Carrie's Doing Great

Catatonia

CENIZAS

Childfree

Comedy Master Ass

CON DIOS

CRISÁLIDA

Cruz

Cuando Llovia (When It Rains)

Dark Dreams

Darwin's Duckling

Dear Kimberly

DER UNTERMENSCH

Deric does the greatest impressions ever!

DESAMOR

Desert Flowers

DEVENIR ELLE

DIFERENCIAS

Divinas Melodias (Divine Melodies)

Domestication

DRAGON

Dying LIghts

Ehsan Ahmad Vlog 1: Online Piracy

Ehsan Ahmad, Airport Jokes

Ehsan Ahmad, First set at SF Punchline

El Aura Azul (The Blue Aura)

El Chamán

El Ñero's Trip

**From Wikipedia:**

Big Buck Bunny** (code-named **Project Peach) is a 2008 short [computer-animated](https://en.wikipedia.org/wiki/Computer_animation "Computer animation") [comedy film](https://en.wikipedia.org/wiki/Comedy_film "Comedy film") featuring animals of the forest, made by the Blender Institute, part of the [Blender Foundation](https://en.wikipedia.org/wiki/Blender_Foundation "Blender Foundation").[[5]](https://en.wikipedia.org/wiki/Big_Buck_Bunny#cite_note-5)[[6]](https://en.wikipedia.org/wiki/Big_Buck_Bunny#cite_note-6) Like the foundation's previous film, [_Elephants Dream_](https://en.wikipedia.org/wiki/Elephants_Dream "Elephants Dream"), the film was made using [Blender](https://en.wikipedia.org/wiki/Blender_(software%29 "Blender (software)"), a [free and open-source software](https://en.wikipedia.org/wiki/Free_and_open-source_software "Free and open-source software") application for 3D computer modeling and animation developed by the same foundation. Unlike that earlier project, the tone and visuals departed from a cryptic story and dark visuals to one of comedy, cartoons, and light-heartedness.

It was released as an [open-source film](https://en.wikipedia.org/wiki/Open-source_film "Open-source film") under the [Creative Commons](https://en.wikipedia.org/wiki/Creative_Commons "Creative Commons") [Attribution 2.5 license](https://en.wikipedia.org/wiki/Creative_Commons_license "Creative Commons license").


How much would you pay for a vacation into a nightmare? Southern California is NOTORIOUS for roaming cryptids, ghouls, and brainiac mummies. Join me as I discuss some of their sickest beasts of all time

Top 3 Cryptids of So-Cal

Absurdjunk is proud to release this documentary series with the support of the National OSBO Coalition. Join us for this intimate series of interviews conducted within a community whose founding principle is the unyielding belief they have a friend who is “Only Seen By One.” Absurdjunk WILL NOT tolerate any hateful language towards members of the OSBO community. Any comments using the words, “imaginary friends” or “invisible" will be removed. Doug made it clear his remorse for using that word during his youth. It is time to recognize the rights of our fellow OSBO brothers and sisters. This is the work of the National OSBO Coalition.

OSBO's: A Documentary Series // Interview 002: Doug & Mashlop

Vienna, Austria 2001. A bizarre encounter between a bulimic, single mum in precarious circumstances and a non-binary person from Argentina dressed as an ASTRONAUT in a karaoke bar.

Andy is gay, Rosa isn’t. School and college friends from Rome, Andi loves Rosa in all her beauty and life-force. When Rosa arrives in London for the week end to visit her friend, Andi, remembering the many nights she sat wallflower- like in straight clubs accompanying Rosa, decides her old friend owes her one and asks her to come with her to a Gay Speed Dating Night. But, even without a word of English, Rosa proves she is Queen of the Lesbian scene, while Andi bores her dates with her academic take on life, and ends up alone again. As she looks in frustration and awe, she realises that it is not her impossible crush on her friend which is ruining her chance of love and if she can accept who she is, she may find that being herself could bring unexpected rewards.

Shao Qui has painted with her close brother Shao Kai all her life, not
knowing the hidden secrets of her brothers private life. After her brothers
suicidal death, she is forced by fate to live with her brothers male lover
Fang Zhou. Through her brother's lover she learns the lesson of the
Chinese proverb "The love of the house extends even to the crows
perching on the roof"

To keep Monty’s mind off the loss of his mother, Dale and Stacey take him for a drive into the night, uncovering more than just grief and pain. 

REMNANT

Uncle Lazer finally meets his match when he goes toe to toe with Leonarda's mom, the Albanian mom. Will he be able to seduce her out of wearing her head scarf or will he catch a good old fashioned beating. Also, is Uncle Lazer in the Illuminati? On this week's episode of Wrong Crowd, we get to the bottom of Lazer's symbolic tattoos, meteoric rise to fame, and that hair. 

Uncle Lazer vs The Albanian Mom (Wrong Crowd)

Desert Flowers, a western revenge and relationship story between two estranged sisters who come together to avenge their father's death. Through tackling the hardships of the desert and mission, they might learn that there is something sweeter than revenge.

When her car breaks down in the middle of nowhere, a young woman must take a ride with a peculiar mechanic who promises to help.

The Mechanic

Leonarda returns to New York City to roast the hyper-woke audience on their hypocrisy. All this while destroying everyone's self-esteem.

New York Comedian Destroys Woke Crowd

On this episode Wrong Crowd, we find out which Hollywood actors are secretly CIA agents and also, what the hell is going on with Prince Charles fingers. Join Austin's hottest comedians, Mitch Burrow, Liz Splatt, and Mike Eaton as they roast the shit out of each other while also investigating Leonarda's latest conspiracy theories. 

Wrong Crowd - CIA Agents Among Us

The documentary follows the past, present and future of one Syrian family who fled from Civil War. Presenting the challenges of being now separated from the people they love and their homeland. Please rate on IMDB.

The Dollars & Donuts Productions team is ready to shock you with four tales of terror. 

First up is "The Tattoo" in which Chip (Chris Ross) wakes up from a blackout with a hangover and a mystical tattoo on the back of his hand. His one-night stand from last night (Sasha Boggs) has more information, but something is amiss. 

Next is "The Neighbor", where a young widow (Emily Erwin) is woken up with a late night call from her neighbor Ken (Terry Edgington). A light on in Renee's cottage sends her out in the storm to investigate.

"Planet of the Monkeys" finds four survivors of the ape-pocalypse (Sasha Boggs, Tara Erickson, Mitchell Martin, & Gino Vigil) struggling to cope with the inherent cuteness of their simian overlords. 

Finally, "Number Nine" features Ray Revello as Tom Harley, a downtrodden security guard who has taken an interest in the exploits of infamous serial killer, the SOMA Slasher. Tom struggles to stay sane as his murderous daydreaming brings him to attempt to live out his dark fantasies. 

With stories written by John Andreini, Mike Bedard, and Hank Della, and directed by Daryl Della, Dollars & Donuts Productions is proud to present: "Welcome to the Strange".

Welcome to the Strange

A servant boy's world is turned upside down by the arrival of a guest.

The Guest

Ron Taylor takes a long over do, enlightening dive into the history of 1 Direction!

How did I miss the entire rise of 1 Direction!

When I blow up!

Leonarda divulges what made her shift from a New York liberal to a Trump Supporter despite having voted for Hillary Clinton in 2016. You won't believe what finally woke her up.

Also find out who Cristina Mariani is crushing on this week with our very special segment. And last, who do the Austin comedians think has secretly made a deal with the devil. All this and more on this week's episode of "Wrong Crowd".

Wrong Crowd - From Libtard to MAGA

"The Art Of Being Alone" By: Cara-Hope Lorraine is a short film connected through three parts to share an inside glimpse into the many battles presented through alone time. There is much to say about this film but rather is best to be watched and absorbed. I'll leave you with question... what does art do to someone when you are trapped inside the cages of your mind? Guess you will have to watch to find out.

The Art Of Being Alone

Ande, a woman living in Estonia struggles to get back her assets.

From Zero - Saving Beach Ranch

An experimental comedy piece about being held hostage. 

Held Hostage: A Conversational Collage

Parents explain why they don't want educational options.
And there's a monster. 

Directed by Bob Bowdon. 

We Don't Want School Choice

Unstrung is a 16mm Black and White Short Film shot on a 16mm Bolex camera for our Film course at the UCA (University for the Creative Arts) in Farnham. Sadly there was some damage sustained in the digitizing and editing process. Massive thank you to everyone who helped make it possible a lot of hard work went into making it  (Credits Below). 

Cast:
Jack - Luke Munday  
Millie - Emily Dodd 

Directed by Anton Arenko 
Written by Fynn Lithgowe
Cinematography by Kat Puddifoot 
Sound Recording by Luke Munday
Edited by Daniel Brent 
Sound Design by Tashi Wangchuk &Luke Munday 
Produced by Anton Arenko 
©Original Soundtrack by Luke Munday 
Executive Producer  - Ellie Nicholls 
 

Special Thank You:
Farnham Baptist Church
Emily Dodd 
Ellie Nicholls 
Waverley Borough Council 


Filmed on: 
16mm Black and White Film Stock by Kodak 
16mm Bolex Camera. 

Shot on location in Farnham, England 

Unstrung (Short 16mm Film) 

Is America fast becoming a communist country? Are the liberals poisoning the mind of the youth on college campuses? Or is Leonarda being extreme again. All this and more on this week's episode of Wrong Crowd with special guests, Sean Patton, Francisco Rancon, and Cristina Mariani

Wrong Crowd with Sean Patton

I was curios to see what the first artist depiction of gay sex was. I found it, and honestly, I had a lot to say about it

Reviewing the First Ever Painting with Gay Sex in it

The Roman Cops are cool. Jason's Darian Lake jokes suck. Skillet 4 Lyfe.

Jacks Fever Dream ep four- Darian Lake w/ Jason Rodriguez

Jack sits down with guest Collin O Meara to do our best Johnny Cash impression and explain why Ricky Gervais sucks.

Jack's Fever Dream ep 1

I review the new Hogwarts Legacy game, not yet released on PS4

Hogwarts Legacy Review!

Matt Lockwood and Morgan Mizell from The Big Humble podcast are back for another exciting round of their favorite game Fuck, Marry, Kill

F*ck, Marry, Kill Extra: The Woman King Forever

We were three sheets to the wind during this one.

Comedy

Film - Drama

Film - Suspense

Film - Romance

Film - Comedy

Film - Horror

Film - Documentary

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